Frederick’s House

The sky is bigger than big, vaster than vast, and oh so blue! Beneath it rest rolling slopes of tall grasses – waves of green and grain that ripple with the slightest breeze. It’s as if you can watch the wind dance as the whispering stalks bend to its will. They are only parted by a dirt road that winds through the scene – a lazy snake napping among the grasses.

The air here always smells clean as it does after a spring rain, when droplets still cling to blades of grass and a cool wind lingers to push the storm clouds toward the horizon. An extra deep breath might even reveal the soft scent of tulips mingling with the rays of the sun. The tufts of white cloud drift by like leaves in a river, guided by the current.

Following the sleepy snake of a road or the scent of tulips – for both lead a person the same direction – one would happen upon a yellow picket fence guarding a lovely English garden and a small house made from a teacup. Not a small tea cup, mind you – a small house. As you or I could easily find a seat within, the cup and its saucer are quite large, by drinking standards; modest, by living standards.

The wide brim, instead of being filled with tea, holds a sea of bluebells and dark green ivy. The ivy even spills down the side opposite the cup’s handle, to which is tied a simple swing of rope and wood, giving the effect of liquid spilling over. Behind this ivy cascade, mud-caked garden tools rest inside the lip of the saucer, propped against the ceramic facade.

For an entrance, there is a small and round wooden door with a shiny brass nob that looks as if it’s met many palms in its day. Above the door a branch is painted supporting a small yellow and black bird and sporting soft pink blooms, with green buds indicating more are on the way.

Dark blue circles the top of the cup, matching the ring around the saucer it sits in, and full-petaled white and purple blooms adorn the background, separated occasionally by light green leaves. The centers of these flowers are mostly orange and yellow, but are occasionally affixed with a circular window in place of the polleny centers.

The cup and saucer are nestled into a patch of tall grasses, similar to the those waving in the distance. Out front, extending to the yellow picket fence, rests a beautiful garden with honeysuckle vine climbing over parts of the fence, sweet peas nestled against a small stone bench, peonies, irises, phlox, and lillies. Lush foliage busts of a garden well tended, as does the absence of weeds. A lemon tree even grows next to the tea cup’s handle and swing; and beyond, one can see berry bushes extending back to even more garden expanse.

On the small yellow gate, which the grass-bare ground beneath indicates has been opened many a time and again, hangs a sign that reads in firm yet curling letters: Friends Welcome.

Inside lives Frederick.


1 Comment

Filed under Writing

One response to “Frederick’s House

  1. Like the way you invoke the senses here: sight and smell. This is really really good scene setting. Almost like a movie scene in that you go from the broader scope and then come into focus on a more specific aspect.

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